The Explorium

Ornate, Idyllic, Exceptional: Disneyland Paris turns 21

21 years ago today, Euro Disney opened its gates and started a new era for the Magic Kingdom line of parks. 

A variation on the theme of the original Disneyland, with flourishes and motifs taken from Walt Disney World’s Magic Kingdom and Tokyo Disneyland, Disneyland Paris remains a entirely new being. 

Ornate and organic, she is the first Magic Kingdom to take her lands and put them all in the same “place”, thematically, with transitions, realistic and detailed grit, and above all, masterful, but literal storytelling. 

Taking classic experiences and giving them new breath with narrative, Disneyland Paris boasts differentiated experiences in Pirates of the Caribbean and Phantom Manor.  Her Tomorrowland is the playground for Turn Of The Last Century visionaries, her Fantasyland an immersive and bucolic environment suited for storybook narrative. 

Although the park has struggled through poor management, a name change, and a woefully planned second gate, today, the 4th Magic Kingdom is celebrating. And she deserves it.  Today, she turns 21, and still serves as an example of daring to be different whilst upholding tradition. Happy 21st, Disneyland Paris! 

waltdisneydoingfunnythings:

Walt Disney and Mary Poppins are giving each other A LOOK. 1963. 
#WaltDisneyDoingFunnyThings Poppins Edition! 

waltdisneydoingfunnythings:

Walt Disney and Mary Poppins are giving each other A LOOK. 1963. 

#WaltDisneyDoingFunnyThings Poppins Edition! 

waltdisneydoingfunnythings:

Walt’s cruisin’ down Disneyland’s Autopia…. 
#WaltDisneyDoingFunnyThings 

waltdisneydoingfunnythings:

Walt’s cruisin’ down Disneyland’s Autopia…. 

#WaltDisneyDoingFunnyThings 

Happy 100th Birthday to Marc Davis! 

Today would have been Marc Davis’ 100th birthday. 

Marc Davis was one of the original Imagineers for WED Enterprises and is well known for the iconic characters, gags, and scenery he inspired during Disneyland’s and Walt Disney World’s formative years. 

Marc Davis is the man behind most of the memorable tableaux from Pirates of the Caribbean, The Haunted Mansion, the environment of the Jungle Cruise, and the narrative and basic show of the Country Bear Jamboree. Marc Davis’ art humanized what ever subject he tackled. His characters were relatable, and often humorous on the most basic level. Marc Davis’ work winds a common thread through the Magic Kingdoms, bringing the expected humor, charm, and wit into the experiences and localities we encounter.  

Many thanks to Marc Davis.. Disney owes him a lot. Happy Birthday, Marc! 

Expanded EPCOT: Italy Pavilion Model II 
A few weeks ago, I wrote an essay on early concepts for World Showcase’s Italy Pavilion and how the complex was left “incomplete” without an anchoring structure to house the thematic restaurant planned for it. (http://bit.ly/15877Im)  While there’s nothing seemingly more to be said on the plans for Italy’s long lost Venetian restaurant, there IS more to look at on terms of the Italian pavilion, itself! Today, while reading through some early 80s EPCOT ephemera for an upcoming post, I found something previously unseen- Another model of the Italy Pavilion and the Bergamo hall intended to house the Venetian restaurant. This model comes from a 1981 press booklet and showcases much of what was finally built in EPCOT Center, but with several key differences. 
First, and most obvious, The Doge’s Palace is built further away from the Campile bell tower, as it is actually historically accurate in Venice. EPCOT reverses this construction for greater aesthetic reasons in World Showcase; Italy’s tower mirrors the placement of Japan’s pagoda so that the American Adventure, between them, is framed by taller structures. The American Adventure, therefore, acts as a “weenie” to draw park goers to the center and back wall of World Showcase. Also interesting to note, the Campile is built on an angle, suggesting a more intimate and textured plaza. 

What’s also striking about this model of the Italy Pavilion is the inclusion of a flag park on the showcase promenade. The idea for a flag park isn’t new for EPCOT Center… though, it never materialized. The master plans for EPCOT in both 1978 and 1980 feature them, but only at the entrance to World Showcase. This 1981 model puts the flags with its respective pavilion. If you squint, you can make out the flag park at the north end of World Showcase in the following pictures. This ideas was nixed from the park after it was realized that each pavilion and nation would have different customs for each flag, providing for a logistical nightmare in the care and maintenance for each national banner. 
          



Finally, the Bergamo Hall itself: There aren’t many changes to the facade or the size of the restaurant structure, suggesting that the concept was alive and well in 1981, the year before EPCOT’s opening. A bloated budget and capacity woes for the park would quickly and sadly change this. What IS different, however, is the villa on the right side of the pavilion which boasts a more ornate version of what was finally built. 
        
And so, EPCOT’s Italy, though today it is one of the smallest pavilions in World Showcase, it continues to give up some secrets and mysteries about her large conceptual past. Personally, this just shows the breadth of theme park history that is out there, and why it remains fascinating and encourages an academic eye. Hopefully, more concepts, like these, will be found in the future to help unravel the artistic origins of one of our favorite theme park haunts. 

Expanded EPCOT: Italy Pavilion Model II 

A few weeks ago, I wrote an essay on early concepts for World Showcase’s Italy Pavilion and how the complex was left “incomplete” without an anchoring structure to house the thematic restaurant planned for it. (http://bit.ly/15877Im)  While there’s nothing seemingly more to be said on the plans for Italy’s long lost Venetian restaurant, there IS more to look at on terms of the Italian pavilion, itself! Today, while reading through some early 80s EPCOT ephemera for an upcoming post, I found something previously unseen- Another model of the Italy Pavilion and the Bergamo hall intended to house the Venetian restaurant. This model comes from a 1981 press booklet and showcases much of what was finally built in EPCOT Center, but with several key differences. 

First, and most obvious, The Doge’s Palace is built further away from the Campile bell tower, as it is actually historically accurate in Venice. EPCOT reverses this construction for greater aesthetic reasons in World Showcase; Italy’s tower mirrors the placement of Japan’s pagoda so that the American Adventure, between them, is framed by taller structures. The American Adventure, therefore, acts as a “weenie” to draw park goers to the center and back wall of World Showcase. Also interesting to note, the Campile is built on an angle, suggesting a more intimate and textured plaza. 

What’s also striking about this model of the Italy Pavilion is the inclusion of a flag park on the showcase promenade. The idea for a flag park isn’t new for EPCOT Center… though, it never materialized. The master plans for EPCOT in both 1978 and 1980 feature them, but only at the entrance to World Showcase. This 1981 model puts the flags with its respective pavilion. If you squint, you can make out the flag park at the north end of World Showcase in the following pictures. This ideas was nixed from the park after it was realized that each pavilion and nation would have different customs for each flag, providing for a logistical nightmare in the care and maintenance for each national banner. 

          

Finally, the Bergamo Hall itself: There aren’t many changes to the facade or the size of the restaurant structure, suggesting that the concept was alive and well in 1981, the year before EPCOT’s opening. A bloated budget and capacity woes for the park would quickly and sadly change this. What IS different, however, is the villa on the right side of the pavilion which boasts a more ornate version of what was finally built. 

        

And so, EPCOT’s Italy, though today it is one of the smallest pavilions in World Showcase, it continues to give up some secrets and mysteries about her large conceptual past. Personally, this just shows the breadth of theme park history that is out there, and why it remains fascinating and encourages an academic eye. Hopefully, more concepts, like these, will be found in the future to help unravel the artistic origins of one of our favorite theme park haunts. 

Dateline: EPCOT Construction December 1981 


What appears to be a pretty mundane press shot of EPCOT Center can be seen as a unique snapshot of the progress made on the largest construction project in the world and can reveal details on the methods f construction used to get the Vacation Kingdom’s second park closer to completion. 

Presumably shot in December of 1981, 10 months before EPCOT’s debut, we can see that most of the main structures of EPCOT are recognizable and structurally sound…. but when we zoom in, there’s a few oddities that illuminate how exactly advanced EPCOT was physically created. 

The overview image (image 1) shows off a completed Monorail Station and monorail loop, complete with landscaping and guest facilities. As opening day approached, guests could purchase tickets from a preview center on Main Street USA and see EPCOT Center’s construction from the monorail platform. Spaceship Earth was lit in blue for the occasional night tour. 

       

                                

In Image 2, Future World East is seemingly complete, save for a few minor details. The World of Motion has had it’s curtain wall of stainless steel installed, and the Universe of Energy is devoid of scaffolding, meaning the solar panels have been installed. Both of these pavilions were the first to be planned out and the first to receive sponsorship, so construction on both structures were early hurdles for EPCOT to cross. Other pavilions wouldn’t fare as well. The restroom block on Future World East has a basic structure, meanwhile, and is about to receive walls. CommuniCore’s roof and supports are constructed, but it doesn’t seem as though the massive walls and windows of glass have been installed yet. And of course, Horizons is totally missing. Horizons, though confirmed for EPCOT at this point, was scheduled to open on EPCOT’s first anniversary as part of phase two. In this shot, one can see the basic preparations on the plot of land to house the building, but there’s nothing beyond those paltry preparations on the ground. That would quickly change, however, and when EPCOT Center opened on October 1st, the steel framework of Horizons was peeking over a construction wall as it neared its own completion. 

Image 2 shows off Spaceship Earth itself, and strikingly bare support “legs”.  A good majority of Spaceship Earth’s 11,324 iconic alucobond tiles were installed around the “gaps” that the “legs” left, but in 1981 they had yet to be filled in. Similarly, the mirrored support column that houses Spaceship Earth’s elevator has also yet to be surfaced, presumably as the elevator was being used heavily to transport props and sets in and out of the pavilion. Behind Spaceship Earth, you can catch a glimpse of the Fountain of Nation’s concrete base being filled in, not to mention a windowless CommuniCore. 

Image 3 shows of a nearly completed Future World West. The Land looks nearly complete, while Journey into Imagination is receiving the final struts on its space-frame pyramids. The rest of the pavilion is already complete, meanwhile, and watertight. The pyramids were the last part of the facade to be added in late 1981, while their glass facets would be installed in the coming months. Landscaping in Future World West is paltry, save for, ironically, the berm that will house The Living Seas one day. At that time, The Living Seas was planned to open in 1984, so it was quickly assumed that the plot would have to maintain appearances at least for a year of EPCOT Center’s operations. In reality, The Seas wouldn’t open until 1986. 

The last shot (Image 4) gives you a birds eye view of World Showcase. Again, most pavilions are structurally recognizable. China had had its CircleVision 360 theater installed, but not themed, yet. Japan is still buried behind scaffolds. None of the Friendship docks have been built, but the lagoon is filled. In earlier shots, World Showcase Lagoon has water in it, but the islands are much larger implying the lagoon was slowly filled over time.

So, from this point on, with only 10 months to go, the remaining details and textures that populated EPCOT Center would be added in to make EPCOT Center the park that is still fondly remembered and celebrated to this day.  Being the largest construction project in the world, it is a marvel of modern engineering how quickly and well the project would come together in these final, frenetic months.

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And a heartfelt thanks to VintageDisneyparks.tumblr.com for their shout out yesterday, and a hearty welcome to all my new followers! Welcome aboard! Pleased to have you!  

46 years ago today, Pirates of the Caribbean opened to the public at Disneyland, and began a new era of themed entertainment. 

Now hailed as a classic thematic experience, WED’s 1967 creation was the brainchild of Walt Disney, the artistic melding of Marc Davis and Claud Coats, and the musical and vocal talents X Antencio. 

Since replicated and tweaked to include three separate iterations in four of Disney’s Magic Kingdoms around the world, and branched off into the realm of Hollywood with a bevy of cinematic installments, Pirates of the Caribbean remains, 46 years later, a cornerstone of the company and an integral part of Disney’s volumes of stories and experiences.